This Transient Worry

Good evening.

 

Tonight I am writing a screenplay called ‘A Transient Guest’, even though the ‘guest’ in question (who is actually a dead girl) is not transient at all, but haunts the entire 15 minute film with her accusing presence.

In fact, if it wasn’t for her encompassing, haunting presence, the film would have no substance at all and would cease to be a story and instead be a string of scenes of a lonely boy walking around through the years.

It’s sad because I love the title, but can’t let a good story be moulded around a title that is so mismatched to the story.

Do you think it would be good to leave the title as it is? Would its vagueness cause  people to wonder at my pretentious daring and muse over the ‘transiency’ of my ‘guest’, or would it just be arty, ostentatious and irrelevant?

Should I change it to something more suitable and in turn, more mundane, and have it be glaringly obvious that I was just too pooped to find a decent title?

Decisions, decisions.

Either way, my tutor will receive it tomorrow and judge it to within an inch of its poor struggling life, and I really must have something remarkable to present to her, otherwise I am a useless writer and might as well employ my energy elsewhere.

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8 thoughts on “This Transient Worry

  1. When I’m having title trouble, I make a list of possible titles where I just try to come up with as many as possible until I feel like I can’t come up with any more, then I go back and usually out of the like 15 or 20 titles there’s something I like. The listing helps me because I don’t feel pressure to come up with one good one on the spot. I usually end up with like half of them being terrible and the other half being somewhat decent.

    Liked by 1 person

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