Love Letters #31

I think the sky is actually white, on those grey days. Where the clouds hang heavy in the sky, and the roads blend in with the horizon. The air is coloured with a paintbrush that has not been completely washed off, so the water is a little murky. I don’t think the sky is grey, I think it is white.

Through my little window I can see the winding road leading down to the town. Pristine little houses, just like mine, sit solidly, proudly by its side. Winding along with the road, built to accommodate its wayward intent. The road chooses where it wants to go, we just follow.

The house directly adjacent to mine faces the road at a 90 degree angle from the front face of my own home. Its frosted bathroom side windows look directly into my back windows, and we are separated by my garden and a little alleyway that leads into its own garden a little further to the right. From my window, I can see the trampoline in their garden. The little watering cans. The iron and ironing board through the downstairs window, a peephole into what could only be described as a utility room.

I cannot see its roof, but I can see the side of the black slate that covers it. It forms a juttering triangle, and contrasts starkly with the grey sky fringing it. Just beneath the ebony black line of the slate, there is a board made of material painted white. At the highest point of the triangle, there is a small spike pointing downwards. Both the slate and the white board frame the top side wall of the house. Beneath the slate and white board, red brick creates the rest of the side wall.

This might seem a mundane description to you. But to me, the white of the board under the slate matches the sky on the other side of the slate. And if I lie down, so only the top triangle of the house adjacent to mine is visible, and the shrouded sky spreads out beyond, I can see a bit of the sky directly under the slate. It looks just so – just so the slate roof seems to be floating a little above the red brick.

And that is why, sometimes, I think when the sky is moody and grey, it is actually a stark, stunning white. White to wash the world out and highlight the drabness of human civilisation.

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