Phone Call

“You have to dial 9 before you call an external number,’ he said to her when she picked up the receiver. She looked right at him, piercing black glare right into his hazel ones. He did not blink, glared right back at her. She knitted her brows, he looked at the receiver then at her again as an alarming beeping sound began to play through the earpeice – loud yet distant.

She slammed it down so it clattered, not quite slotting into its correct position, and flounced away.

‘Fine,’ he called after her, ‘Fine. I will do it myself, as I always do.’

He pressed the correct sequence of buttons, held the receiver to his ear and waited. She waited outside the door, which was slightly ajar.

‘Yes, hello.’ he said firmly, ‘It’s me.’

A pause.

‘Yes, she was.’

Another pause.

‘Do you really expect me to believe it works like that? I have been up from dawn doing these things.’

Long pause.

‘The papers will not write themselves, is all I will say. She has been dreaming of this day for three years. She maintains it was three hundred but she was always marvellous with hyperbole.’

He shifted impatiently from foot to foot.

‘Now listen here, Francine. Listen to me…’

He gasped.

‘You will not!!’

He jumped.

‘I forbid it!’

He put his hand to his forehead, and began to pace, picking the phone up and taking it with him. He stopped short when the wire became taut, and turned back on himself, staring at the ceiling and rolling his eyes.

‘Listen to me Francine. This has gone on for far too long. You will remove yourself immediately from that seat so that my wife may sit. And I WILL complete the papers and send them off. If you do not, oh, trust me, lady there will be hell to pay. We do not bake apple pies for nothing. Now I am going to put this phone down and I expect my request to be handled appropriately.’

He stood still, cocking his head to the side.

‘Alright. Good.’

A small smile graced his sour face.

‘Goodbye, Francine.’

Then he turned to the door while putting the phone down and tidying up the wire which had tangled with the receiver’s wire.

‘She said yes.’ he called.

She breathed a sigh of relief, patted her hair, and walked primly away down the hallway, her heels clacking loudly.

He nodded to himself lips pursed. Then allow a smile of relief to take over his face.

‘As I always do,’ he muttered, putting a cigarette between his teeth and lighting it.

Roots [29]

I don’t think you understand how this works.

How does it work?

Well, when the Beast’s wind blows, it says things to me.

Both of you? At the same time?

Well, if we are in the same place, yes. But otherwise no. It tells Tom different things.

So it speaks differently to you than it does Tom?

Yes! Yes, Mary, exactly.

And do you know why it only speaks to you two?

It doesn’t only speak to us. It spoke to you once, remember? It speaks to Aunt Martha.

Yes, but only that once.

Maybe, my dearest, sweetest girl, maybe some people are more in need of it than others.

Why does Tom need it?

I don’t know, darling. If I knew, I would.. well.

You still wouldn’t say yes to the poor fellow, would you.

Stop it, Mary. Don’t talk to me of such things.

Well. I think you’re stubborn and silly. And I think you have trained your ears to only listen to the silly things that old Beast tells you. Who knows how old those words are, and from which ancient tree they came. Who knows how long they have lived in these lands, and what hold they have on them. And you let them into your mind, and you let them make decisions for you. I think it’s all silly. I think you’re growing older, Laura, and you are putting roots where there is no soil.

Don’t you tell me where I ought to put my roots, Mary.

Well, I shall. I shall tell you. I think you’re wasting your time.

I am not!

You don’t laugh anymore.

I can’t.

The Beast has taken your joy away!

That’s absurd. If that was the case, my joy would have vanished ten years ago.

Something is not right, Laura.

I tell you, you don’t understand how this works!! Now stop it. Let us walk the rest of the way home in silence. The moon is large tonight. I want to feast my eyes on the world bathing in its silver light.

Image Credit

Sketchbook [6]

I will draw you a picture. Close your eyes. Wait.

Draw, or paint?

Describe.

Alright. I am listening.

It’s two people dancing.

Is it us?

No! NO! For goodness’ sake. Don’t think like that!

Is it so terrible?

YES. Tom. Ugh. Don’t ruin it.

Alright. ALRIGHT. Carry on, your Highness.

Two people dancing, but they’re slow. A little rickety. There are stars above them. Hundreds and thousands of stars, and they are almost floating. Her hair is silver, ethereal…

Ahh. Like Persephone’s hair?

Exactly like that! You know, don’t you!

I like to think I do.

You do! Oh, you do. So she has her ethereal floating hair, and his is white as snow, brushed back tightly, just as he used to brush it in his days of youth. In fact I do not think he has ever stopped or brushing it like that or changed the way he got ready everyday.

You’re saying, they are dancing just like they did when they were twenty?

Ye-ee-eess. That is what I am saying. They are dancing in a window, you see, and the window is tall, with many pretty panes, and it curves at the top. Slopes up and then down. A beautiful rainbow of a curve. And each square pane is a picture of them dancing. In and out. Holding hands. Separating. Coming back together. And each pane is a different painting. There is a meadow full of poppies. An old house, dilapidated. He is young in that one. Muscular. She is so beautiful, and she holds him tightly. And in the next pane the house is freshly painted, and they are dancing close, but not holding each other, because their arms are full.

Full of what?

Little cherubs of children, of course.

Is this a moving picture?

It’s alive, Tom. Brimming with life. It moves and breathes, and there is a climbing rose growing about its edges.

Climbing rose. I like that.

It’s climbing around the edge of the window, and along all the frames which surround all the panes containing the tiny figures of my dancing couple. They are young and old. Near and far. Dear and departed.

Are there any where they are cross with each other?

Yes, a few. There is one where she dances away from him, her nose turned up, eyes closed, and he knits his brows together so that they make a nice long dark scarf. Oh, he is mighty cross.

Do they ever stop dancing? When they’re cross, I mean?

No. Never.

And this rose that surrounds them, is it thorny?

Roses, Tom. ROSES. And why do you ask such a question? I don’t know if it’s thorny. I don’t think of the thorns. I think only of the blooms.

Ah.

What do you think?

It’s beautiful.

I like to think of this painting. Drawing. Picture. Image. I think of it often.

It’s a little magical, I suppose.

Not very adventurous. But I never was, you see. You’re the one who wants to go gadding about the world, doctoring people back to health. I am quite content to stay here in a nice house overlooking the hills, rolling along with the seasons.

Pricking your fingers on the thorny rose bushes…

You’re laughing at me!

I am not!

You are! How cruel! I shan’t talk to you anymore.

Come now, Laura…

YOU may prick your fingers on the thorns. I never do.

You certainly do not.

Humph.

You ought to paint your picture, thorns and all.

I shall, I think. And I shall ignore your comment about thorns.

Image Credit: Ana Gonzalez Esteve

They Don’t Laugh

I met a girl yesterday who didn’t laugh. She didn’t smile either, not once.

So I made some jokes and inserted some funny bits into conversation, but they seemed to go right over her head.

Well, thought I, I must be an exhaustively un-interesting person. I didn’t retreat into my shell, though, I persisted in trying to engage her, since we were travelling together.

I offered her some mango pieces. Who can say no to mango pieces? She declined, and carried on munching her pasta. I told her a funny anecdote that always makes people laugh, but she just stared at me, solemn, and said,

‘Oh, that’s funny.’

Then she proceeded to talk about her uncle’s wife’s marital problems and how her uncle is an awful person.

Huh. Okay. I am not interested in any of this, and I do not see the necessity of this conversation because it adds no value to my mind, in fact it just pollutes it and makes me feel depressed.

So I tried to steer the topic away and towards something we had in common, i.e. our university course. Hallo. Maybe she has some interesting insight on Dubliners. I for one, while recognising its significant political and literary value, thought it was boring at first. It still wouldn’t be a book I would pick up on a fanciful whim. I was also having troubles analysing it properly in a fashion that my examiner would find scintillating. She just said,

‘Yeah, it was okay.’

‘So which stories would you chose to compare with Langston Hughes’ New York poems?’

‘Oh, I don’t know.’

Silence.

So our conversation petered out because she didn’t have opinions on things I found interesting, and I wasn’t interested in gossiping about her adulterous family members. And she did not laugh.

In fact, the whole debacle depressed me immensely and I greatly regretted agreeing to travel home with her just because we live in the same city. That, and the fact that we are on the same course, is the only thing we have in common with each other.

Who are these people, that do not laugh, folks? That like to gossip and not much else? Who shun conversation unless it is about other people? Where did they learn such behaviour?

Frowny. (stop correcting me autocorrect).

D: Are you okay?

Me: *types furiously*

D: Are you okay? You look… pissed off.

Me: That’s my resting face. You should KNOW this by now.

But yes, I am frowny. I frown when I am writing and when I am driving. Other drivers don’t like me because I always scowl at them, even when I raise my hand in thanks for letting me pass. I frown when I am walking to get a sandwich from the bakery. I frown when I am lifting weights at the gym so I can get a nice booty.

When I realise I am frowning, I try to stop, of course. But it creeps back seconds later when my mind wanders elsewhere.

I am going to be a frowny, wrinkly old lady.

She looks cross for a reason though.