On the production of books.

Here are some things I am doing recently;

 

  1. I am finishing my last module towards my English Language and Literature degree. It is called ‘Creativity in Language’, and examines the different approaches in the analysis of creativity in language, and also in other modes of storytelling and performance. It raises interesting questions about the originality of creativity, and whether or not creativity is fundamentally political – whether that be intentional or unintentional.
  2. I am also writing a book about a girl who stops growing. I am trying to make it a masterpiece, but it is hard to make a masterpiece when your brain feels like an empty room. I am noticing that I waste a lot of time not gaining knowledge, and I mean to change this by consuming more books and exploring different parts of the world. I have acquired a cover designer for my book, someone who is also willing to do some small illustrations for me. This is spurring me on to finish by my deadline in October.
  3. I have signed up to a website called AgentHunter. This website is one where you can find a suitable agent in order to get your book published. I am aiming to submit my manuscript to several agents by October 15th. I will be writing a review about this website in the next few months – just in case anybody is interesting in hunting for a suitable agent online.

That is all, really.

What have you been up to, recently?

 

2016

I don’t have any resolutions for 2017. I think it is ridiculous because I never keep to them anyway. Does anybody?

The truth is, I don’t have anything to be really proud of this year. I have achieved nothing. In fact the only thing I remember being truly proud of is a 98% on a creative writing assignment for university.

I did get a job, but I can’t stay there because of my husband’s job. I loved the job because I was teaching and I did really well at that. Lots of colleagues told me I had a knack for it despite not being trained. I think I do well with kids. I think kids like me. I taught kids from age 5 to age 17 and it was incredible and demanded a phenomenal amount of brain power and enthusiasm and energy and it was draining but also so wonderfully fulfilling and enjoyable. I love the kids. I loved the kids. I had lots of plans and ideas for this job, and I am so bloody sad to leave it but sometimes in life you have to make sacrifices.

Everything else was pretty much a flop.

2016 was a massive learning curve. But then again, every year is. Every year we grow and change, and we have different lessons to teach us different things and frankly, every year the lessons we get are harder than the lessons from the previous year. They have to be. Life is a constant challenge. It is funny how it works out like that.

I hope 2017 will be better. I hope I can be a better person, and a better wife. I hope I can be wiser and more intelligent. I hope I can be spiritually better, and have more faith. I hope I can finally get the body I want, and treat the problems I have with my hair. I hope that I can have a brilliant relationship with my family and stop being so bloody negative about everything. And lastly, I hope I get a first class degree and FINISH THIS GODDAMN BOOK.

There.

What do you hope to see in 2017?

IMG_2856.JPG

Oh, hello. Nanowrimo is here.

Oh, hello indeed. It is the first of November. How mad is that.

I have been trying to finish a novel for five years. Let us hope this is the month I manage to do it. Alongside commuting to work and getting a FIRST class degree. Not second, not third. First. I will not settle for less.

Let us see how this goes, eh?

My hopes, as they are every November, are high.

My daily writing goal is 3000 words, 5000 on the weekends. It helps that I have a general plot outline to follow, and an idea of what my characters should turn out like. Whether they do what I ask so kindly of them is a different matter entirely.

That is easy, right? RIGHT? I was thinking I should do it on my train commute, and since I only work three days a week I have Monday evenings and Friday evenings, and during the day I can study. Right?

We’ll see.

I plan to document it just to show my future self what I am capable of. That’s the spirit!

Are you planning to do NaNoWrimo? Or have you done it in the past? Do share your experiences if you have, I’d love to know how it went!

Nanowrimo.png

Love Letters #23

All the odd things started to happen when Damon Ludwig moved in next door. Things at home had withered away into stagnancy. Nobody celebrated birthdays properly anymore, and Father was constantly in his study or making important phone calls. So when the Ludwigs moved in, and there was all that commotion outside, Laura darted out of her cold and empty house to investigate.

Everything was a façade. Their smiles were a façade, every time they opened the door to greet the outside world. Their speech was a façade, in its bizarre normality.

‘Pass the butter.’

‘Did you finish your homework, Tristan?’

‘Laura, let the cats out please. They’re doing my head in.’

‘Father says to please shut up, he’s trying to work.’

Such normal sentences, Laura thought to herself, in such an abnormal situation. Does life dissolve into normalcy after an integral piece of it has been painfully removed? And yet she carried on buttering her toast, and everybody else around the table carried on getting on with their days. What else would they do, though, really?

‘I don’t have a mother,’ was the first thing Laura said, the moment she clapped eyes on Damon. She sat calmly on the low stone wall that separated their front gardens. He stumbled up the front garden path to his front door, sweating under the weight of a massive crate, red-faced, only just noticing the small child with the wild chestnut curls and distinct little voice.

‘You what?’ he blew through his teeth, and dropped the crate onto the porch with a loud thump.

‘I don’t have a mother,’ she repeated, then offered to help him with the crate.

‘Nah, you’re alright.’  He waved her off, then bent to push it forward over the wooden floorboards of the porch until it was just inside the front door.

‘So what this about your mum then?’ he said, seating himself next to Lemara outside, as they both watched the moving men carrying in a grandfather clock between them.

‘She’s dead.’ Laura said, matter of factly.

‘Do you always introduce yourself by talking about your dead mother?’ Damon asked bluntly. Then he held out a brown paw, his fingers were dirty and dotted with tiny scabs and scratches.

‘Damon Ludwig.’ He said. She shook his hand.

‘Laura,’ said Laura, ‘I’m ten.’

‘Well hullo Laura who’s ten.’ Damon laughed, jumping off the wall and walking down to the lorry, where a man who looked very like him was emerging with a cardboard box.

‘Sorry about your mother,’ he threw over his shoulder. The sun threw dappled rays over Damon’s shock of black hair; he was wild and brown, an exclamation mark of a human. Laura watched him darting in and out of the lorry, lugging things to and fro, leaping down the porch steps and cartwheeling back to the lorry to get more things. She wanted to get up and dance around too. But she sat quietly and watched them slowly turn the empty house next door into a home. Men came in and out, carrying chests and mattresses and rugs. Curtains went up in the empty windows as the sun sunk lower and lower in the horizon, a great big orange orb, its edges wavy as it hung between the hills in the distance. Warm golden lights lit up the house next door one by one, a golden palace next to the drab darkness looming up behind Laura’s back. A cold breeze made the roses Mother planted in their front garden nod at her, as though they were telling her to go indoors. She wasn’t ready yet, to go indoors.

         Everybody cried at the funeral. Alex with her black dress that was too tight around her blooming chest, her arms halfway out of the full length sleeves. Laura secretly thought she looked stupid, but so pathetically stupid with her puffed up face and tear stained cheeks that she felt sorry for her. Tristan blond curls had been attacked with a wet comb, by Aunty Nora no doubt, and he sat demurely in a corner in his little black suit, sniffling over a sausage roll, his fat cheeks soaked with tears. George stood with Father by the door, almost as tall as Father now, hugging people and nodding sadly at their quiet condolences, his eyes wet and desperate. He was looking into their faces as though they would resurrect her with their sympathy. Laura knew better. What did they know, any of them? What did they know about the gaping hole in her chest that she tried to fill with pastries and devilled eggs. They hugged her and told her she was a poor thing to lose her mother at only eight years old. She ate and ate and ate until she felt quite ill, then fell asleep in a corner, her hole still as wide as before, a gaping abyss in her chest. And not once did she cry.

The first odd thing that happened, of course, was that Laura stopped growing. It didn’t happen right away, though. The Ludwigs settled in first. Damon and Mr Ludwig built a shed at the bottom of the back garden for Damon’s workshop. He made the beautiful wooden patio rocking chair that Mrs Ludwig put outside her back garden French windows. Mrs Ludwig called it her ‘forty winks chair’, and brought it inside when it rained. It sat in her warm and cosy kitchen throughout winter, and Laura spent many an evening in it as she watched Mrs Ludwig potter about her kitchen preparing dinner for her family. She never stayed for dinner when they asked her, though. She always said,

‘No thank you, Mrs Ludwig. George will be looking out for me.’

That was a lie, though. George stopped looking out for her a long time ago. Sometimes Alex would look out for her and give her a scolding for staying at the Ludwigs’ for too long. She would shove her down at the table and dump a cold plate of something congealed on the table in front of her. George, however, was generally nowhere to be seen. Mind you, he was working double shifts at the shoelace factory in the next town. He had to catch early buses, and generally left the house while it was still dark and everybody was fast asleep. He returned home long after sunset, and quite often missed his bus and had to catch a cab home. He started smelling of cigarettes and sweat, and on his late-missed-the-last-bus days Laura steered well clear of him because his mood was appallingly sour.

Extract from the book I am writing. 

803d820aa39e9475822b7a6cc3fa3508.jpg

Dream

This is my current dream:

I am walking past a huge Waterstones. And there, in the glass display, is a book written by me. Yes me. You see that? It says Lenora Sparrow on it. The cover design is simple and elegant. No pictures. Just a dark blue cover with little yellow dots all over it and the title in handwriting that is not too airy fairy and not too serious either.

And the blurb on the back makes me so excited because.. well.. I don’t know. I just love it and them and want to share them with you.

And there are lots of my book in stock. And all the signs say, ‘Hurry up and grab this book!’ and inside my heart is surging with joy because that is all I have ever wanted since I was seven years old writing stories in my dad’s university exam answer booklets.

I said to my parents, ‘Just you wait, I will have published a book by the time I am fifteen.’

They used to tease me and take my exercise books and read them to each other!! The audacity.

I wrote it, folks. That book I swore I would write. From age 11 to 14, I wrote it all out using dozens of pens. Seven massive notebooks, filled to the brim with words. Three huge folders with family trees and calligraphy signs and characterisation sheets and land naming and maps and paintings of what I think my characters look like.

I still have them. Shoved in the back of my gateway to Narnia.

I want to write a book that blows your socks off. I want to write a book that makes your heart ache with nostalgia and joy and the pleasure of meeting my people.

I want to write characters that will walk out of the pages and live in your mind and haunt your dreams.

But can I? And will I, EVER?

I walked past Waterstones today and there was a new book in there by a young woman not much older than me, and it’s famous already because she is a relatively well known Youtuber and it looks like a decent book, you know, because this girl actually has something decent to say.

And I felt so excited because it looks completely gorgeous and I have a feeling it is a heartbreaker, and I picked it up and read a few lines and well, I am happy for her, of course, but I am also a little bit jealous. I will definitely read her book because I like her content, and will support it.

It’s called ‘On the Other Side’ by Carrie Hope Fletcher.

I was jealous of Christopher Paolini who published Eragon at age fifteen. I thought, ‘I gotta beat this guy’ because I was thirteen at the time and I had two years ahead of me and I had three books under my belt.

But I didn’t send them to anybody. Because they weren’t good enough. Of course. They aren’t good enough. Nothing I have written is good enough. And I have a wonderfully electric story in my head but my fingers and brain will NOT collaborate to write it how my mind sees it and it is so FRUSTRATING because all I want is to have my books in shop windows and on bookshelves and to contribute to somebody’s childhood.

1011353-dreamland